Reeling it in: ‘Trumbo’ shines light on dark period in Hollywood

“Trumbo”

Bleecker Street Media

2 hours, 4 minutes

Gearing up for the Academy Awards this weekend, I sought out one of those smaller, actor driven films that you always say you’d like to see, but then no one ever gets around to renting. Naturally, they don’t come to the theaters in our market. Nominated for Best Actor, Bryan Cranston plays Dalton Trumbo in the film simply titled “Trumbo.”

For anyone interested in film history, this is definitely one to check out.

I picked this, not only because the trailer looked interesting, but because Dalton Trumbo is one of those names I’d always heard reference to, but never actually knew anything about. It just goes to show how difficult it is to get known as a screenwriter. This guy was one of the most celebrated writers in Hollywood history, and then became famous for fighting the blacklist and essentially ending a destructive and xenophobic practice, and I still couldn’t have told you anything about him. Dalton Trumbo wrote, among other things, “Roman Holiday,” “Spartacus,” “Exodus,” “The Deerslayer,” and 65 other films. The man was larger than life and tweaked the conservative wing of the Hollywood elite during the early days of the cold war by being an avowed communist.

As the film’s opening crawl makes clear, communism was somewhat popular in the United States prior to the 1950s, and especially so among artists and creative types. The film makes no assertions as to Trumbo’s feelings about the Soviet Union — Cranston plays him as a philosophical communist, one who’s for unions and worker reform rather than a godless red menace. The latter, however, is how anyone with even the vaguest connection to communism was seen in those days, and many were dragged in front of Congress and, in a process eerily reminiscent of the Salem witch trials, were made to name names of known commies as a way of taking pressure off themselves.

ADVERTISEMENT
0 seconds of 0 secondsVolume 0%
Press shift question mark to access a list of keyboard shortcuts
00:00
00:00
00:00
 

The film follows Trumbo and his cohorts from the first rumblings of the blacklist in the early 1950s through to its effective end in the early 1960s. Cranston is great as the bombastic, sardonic Trumbo. He delivers dialogue pitch perfect and comes off as a man born to the struggle. Where others in his cadre were beaten down by what they went through, Trumbo was emboldened, even starting up a cottage industry for he and other blacklisted writers to come up with quickie scripts for low-budget films, all written under pseudonyms.

I loved Cranston in the role, but “Trumbo” really shines through its ensemble cast. Louis C. K. and Alan Tudyk are great as fellow screenwriters, and John Goodman and Stephen Root are hilarious as a pair of sleazy producers who defy the blacklist. Goodman gets one of the best scenes in the movie as he runs off a spineless lackey from the studio.

Some of the most interesting performances come from those lesser-known actors playing John Wayne, Kirk Douglas, Otto Preminger, and Edward G. Robinson. A lesser film would make the mistake of presenting these characters in big, bold strokes, maybe even using big current Hollywood stars in those roles (see “The Butler” and it’s particularly egregious Nixon impersonation by John Cusack). “Trumbo” wisely chooses to approach these as simply character roles instead of impressions. As a result, we are given hints of each of those characters’ particular eccentricities without having them pounded into us. David James Elliott’s Wayne looks good, sounds good, and is a full and real performance without a single “Waah ha!” to be heard (read that in a John Wayne accent; it’ll make sense).

I really enjoyed “Trumbo.” It’s funny, moving, and just flat out entertaining. The only downside is that the language in the film makes it next to impossible to show in school, where it would be a powerful illustration of a time when paranoia and fear drove people to make terrible choices. It would make a particularly nice companion piece to “The Crucible.”

Alas, I think a biography of “Trumbo” that restricted his speech would be just a little ironic, and we are therefore left with an R-rated film, lumped in with the likes of “Saw” and “Fifty Shades of Gray.”

Oh well, maybe a Trumbo will come along to take on the MPAA and its outdated system one day.

Grade: A

“Trumbo” is rated R for language.

Chris Jenness is a freelance graphic designer, artist and movie buff who lives in Nikiski.

More in Life

This salad mixes broccoli, carrots and pineapple chunks for a bright, sweet dish. (Photo by Tressa Dale/Peninsula Clarion)
A bright and sweet Mother’s Day treat

Broccoli, pineapple and carrots are the heart of this flavorful salad.

file
Minister’s Message: Prudence prevents pain, and, possibly, fender benders

Parents carry the responsibility of passing down prudence and wisdom to their children.

This Library of Congress photo shows the U.S.S. Maine, which exploded and sank in the harbor at Havanna, Cuba, about the same time the Kings County Mining Company’s ship, the Agate left Brooklyn for Alaska. The Maine incident prompted the start of the Spanish-American War and complicated the mining company’s attempt to sail around Cape Horn.
Mary Penney and her 1898 Alaska adventure — Part 4

The Penney clan experienced a few weeks fraught with the possibility that Mary might never be returning home.

Students throw brightly hued powder into the air during a color run at Kaleidoscope School of Arts and Science in Kenai, Alaska, on Saturday, May 3, 2025. (Jake Dye/Peninsula Clarion)
Color run paints students with kaleidoscope of hues

Kaleidoscope School of Arts and Science on Saturday gathered parents and students… Continue reading

Artwork by The Art Gaggle is displayed as part of “What We Do” at the Kenai Art Center on Friday, May 2, 2025. (Jake Dye/Peninsula Clarion)
Local artists share ‘What We Do’ in May show at Kenai Art Center

An eclectic mix of local art makes up the May show at… Continue reading

People from various faiths stand together at the conclusion of a prayer by the Kenaitze Indian Tribe’s Heartbeat of Mother Earth Drum group during a National Day of Prayer Celebration hosted by the KPen Interfaith Community at Soldotna High School in Soldotna, Alaska, on Thursday, May 1, 2025. (Jake Dye/Peninsula Clarion)
Celebrating unity and diversity

An array of groups offered prayers and songs at The National Day of Prayer concert in Soldotna.

tease
‘What gives it teeth’

Indigenous author Lily H. Tuzroyluke spoke on her novel and writing process last week at the Homer Public Library.

Jake Dye/Peninsula Clarion
Donna Shirnberg rehearses”Picnic” at the Kenai Performers Theater near Soldotna, Alaska, on Saturday, April 26, 2025.
Small town America grapples with big emotions

Kenai Performers stage playwright William Inge’s Pulitzer Prize-winning drama “Picnic.”

Attendees gather to dance and to listen during a performance by Blackwater Railroad Company, part of the Levitt AMP Soldotna Music Series on Wednesday, June 7, 2023, at Soldotna Creek Park. (Jake Dye/Peninsula Clarion)
Soldotna Music Series announces lineup, starts June 4

The Levitt AMP Soldotna Music Series will bring performances to Soldotna Creek Park each Wednesday.

Individual Artist Awards logo. Photo courtesy of the Rasmuson Foundation
Rasmuson Foundation accepting applications for Individual Artist Awards

Project Awards are for short-term projects that clearly benefit the artist and their development.

File
Minister’s Message: Noticing the gorilla

Where we turn our attention determines what we can and cannot see.

Nikiski Bulldog Theatre actors rehearse “All Shook Up” in the Nikiski Middle/High School Auditorium on Saturday, April 26, 2025. (Jake Dye/Peninsula Clarion)
Elvis-themed musical brings music and moves to Nikiski stage

“All Shook Up” combines the familiar tunes of Elvis Presley with Shakespearean narrative of romance and identity.