A copy of “Two Old Women” is held inside the Peninsula Clarion offices on Monday, Sept. 25, 2023, in Kenai, Alaska. (Ahlyn O’Hara/Peninsula Clarion)

A copy of “Two Old Women” is held inside the Peninsula Clarion offices on Monday, Sept. 25, 2023, in Kenai, Alaska. (Ahlyn O’Hara/Peninsula Clarion)

Off the Shelf: Athabascan legend enchants, informs

The two women, shocked that they’ve been left behind by their family and friends, resolve that they will not resign themselves to death

What makes a good story? Is it one that is so riveting you cannot look away? One that makes you cry? One with a good message? That’s surely a subjective question. Different people like different books for different reasons.

After picking up Velma Wallis’ 1993 “Two Old Women” at the bookstore earlier this month and subsequently finishing it in one sitting, I’ve decided it probably falls into more of a “best all around” category. It was engaging, emotional, left me thinking and was charged with the special energy that comes with a story passed down through generations.

“Two Old Women” is a traditional Athabascan legend as told by Wallis, who was born in Fort Yukon and now lives and writes in Fairbanks. In an introduction to the book — my copy is a 20th anniversary edition — Wallis says she first heard the story from her mother and rushed to write it down shortly after.

ADVERTISEMENT
0 seconds of 0 secondsVolume 0%
Press shift question mark to access a list of keyboard shortcuts
00:00
00:00
00:00
 

As the title suggests, the story is about two old women, Ch’idzigyaak and Sa’, who are abandoned by their people during a harsh winter. Determining that the women, who often complain, are too much trouble to take with them, the chief instructs the people to leave the women behind.

“Like the younger, more able wolves who shun the old leaders of the pack, these people would leave the old behind so that they could move faster without the extra burden,” Wallis writes.

The two women, shocked that they’ve been left behind by their family and friends, resolve that they will not resign themselves to death. Drawing on the wisdom and knowledge that their age has afforded them, they trek to one of their group’s former fish sites. They eventually establish a dwelling and live comfortably, but they still mourn the betrayal of their family and friends.

When the people return, weak and weary from an unproductive voyage, they reconnect with the women, who share with them their store of warm furs and food. The women ask in exchange for their generosity that no one be allowed to visit them. Eventually, though, the women decide that they miss the companionship of others and reunite with their people.

“The body needs food, but the mind needs people,” Sa’ tells Ch’idzigyaak.

“Two Old Women” left me thinking. On its face, the story’s antagonists appear to clearly be the people who leave the women behind. “What lesson am I meant to take from these plot points,” I found myself asking as I turned the final page. Is the moral of the story one of forgiveness? One of resilience and determination? Both?

More than just a retelling of a legend, “Two Old Women” also contains illustrations by Athabascan artist Jim Grant, a section about the history of the Gwich’in people — one of 11 Athabascan groups in Alaska — and a lengthy dedication to elders who Wallis says have made an impression on her.

I found myself thankful to have read “Two Old Women” after setting it down. Thankful to Wallis for preserving the story and for sharing a story I wouldn’t have heard otherwise.

“Stories are gifts given by an elder to a younger person,” Wallis writes in the book’s introduction. “Two Old Women” certainly feels like a gift from Wallis.

Reach reporter Ashlyn O’Hara at ashlyn.ohara@peninsulaclarion.com.

Off the Shelf is a bimonthly literature column written by the staff of the Peninsula Clarion.

More in Life

Sweet potatoes, tomatoes, cauliflower, kale, onions and buckwheat are served in this rich, healthy salad. (Photo by Tressa Dale/Peninsula Clarion)
Salad, reinvented

This salad is exciting, complex, and has a much kinder kale to carb ratio.

The cover of Gary Titus and Clark Fair’s new book, “A Vanishing Past: Historic Cabins of the Kenai National Wildlife Refuge.” (Photo courtesy of Clark Fair)
History of Kenai refuge cabins tackled in new book

The authors will discuss “A Vanishing Past: Historic Cabins of the Kenai National Wildlife Refuge” at Kenai Community Library this Friday.

Diamond Dance Project rehearses "Academy of Heroes" at Kenai Central High School in Kenai, Alaska, on Wednesday, April 2, 2025. (Jake Dye/Peninsula Clarion)
‘Everybody is a hero in their life’

Diamond Dance Project celebrates ‘Heroes’ at all-studio concert.

File
Minister’s Message: Finding love in the pits

Navigate your way out of the mire of life with the love and grace of Jesus Christ.

Dancers rehearse Forever Dance’s 10th Anniversary Company Showcase, “Down Memory Lane,” at Kenai Central High School in Kenai, Alaska, on Wednesday, March 26, 2025. (Jake Dye/Peninsula Clarion)
Forever Dance comes full circle

The anniversary show will feature returning appearances from alumni and messages from former coaches.

Poopdeck Platt fishes with friends in this undated photograph. (Photo courtesy of Ken Moore)
Poopdeck: Nearly a century of adventure — Part 7

By the late 1970s, Poopdeck was already investing in stocks and bonds.

Virginia Walters (Courtesy photo)
Life in the Pedestrian Lane: Turn the radio on

Radio had something for everyone.

This tuna casserole calls for peas, parsley and Parmesan incorporated into a sturdy pasta. (Photo by Tressa Dale/Peninsula Clarion)
Quick and kid-pleasing casserole

This wholesome dish is great for busy families and fussy eaters.

The cast of the Kenai Performers’ production of “The Mousetrap” rehearse at the Kenai Performers Theater near Soldotna on Wednesday. (Jake Dye/Peninsula Clarion)
Performers set murderous ‘Mousetrap’

The longest-running stageplay in history, the English whodunit challenges audience to unravel the plot.

Most Read