This image released by Disney Theatrical Productions shows Jelany Remy as Simba in the Broadway musical "The Lion King. The Disney stage blockbuster on Wednesday, Nov. 18, 2015, released 360-degree footage of its opening song "Circle of Life" that lets users look left, right, up, backstage and at the audience even when sitting on a couch. (Joan Marcus/ Disney Theatrical Productions via AP)

This image released by Disney Theatrical Productions shows Jelany Remy as Simba in the Broadway musical "The Lion King. The Disney stage blockbuster on Wednesday, Nov. 18, 2015, released 360-degree footage of its opening song "Circle of Life" that lets users look left, right, up, backstage and at the audience even when sitting on a couch. (Joan Marcus/ Disney Theatrical Productions via AP)

Broadway’s ‘The Lion King’ pushes into virtual reality

NEW YORK — “The Lion King” on Broadway is offering fans a view of the musical that even the very best seat in the theater can’t rival.

The Disney stage blockbuster on Wednesday released 360-degree footage of its opening song “Circle of Life” that lets users look left, right, up, backstage and at the audience, even when sitting on a couch.

“It seemed like a really perfect marriage: A universally known song like ‘Circle of Life’ being distributed and displayed through a completely new technology that we hope will open up ‘The Lion King’ to a new generation of theater-goers,” said Andrew Flatt, the senior vice president for marketing at Disney Theatrical Group.

The footage was shot on the afternoon of Oct. 30 at the Minskoff Theatre, the home of “The Lion King.” It took five takes of the song with all 31 cast members onstage to capture all the footage as several hundred volunteers and fans cheered in the orchestra seats.

During the filming, the audience members were politely asked not to wave at the cameras, resist the urge to clap at the beginning and keep their energy levels up for all five takes.

To create the virtual reality world, some half-dozen GoPro cameras were mounted on a stand and placed in the center of the stage as the actors swirled around in their Julie Taymor-created costumes and masks.

The stand also telescoped 20 feet into the air to capture the view as Pride Rock rises up and baby Simba is introduced. Software stitched together the various videos into a seamless, 360-degree view — a circle of life.

Viewers can follow one performer, or look out into the aisles to see elephants arriving, see the conductor and audience faces, or peer backstage to find out what’s coming next. It is a thrilling, heady experience.

“I keep turning in different directions and discovering new things,” said Flatt. “I hope that the video inspires memories and perhaps brings back to the theater people who’ve seen the show. But, in the same token, I hope it opens up the eyes of people who never thought ‘The Lion King’ would be for them.”

The footage can be seen free on laptops and desktops on Wednesday via YouTube and Facebook (using cursors to move around the virtual world) or smartphones and tablets (where the screen tracks movement) or special immersive headsets like Samsung’s Gear VR and Google Cardboard.

It’s part of a wave of immersive videos that are taking the Internet by storm. So far, such videos have been made of a “Star Wars” planet, the “Saturday Night Live” set, a Bill Clinton tour of East Africa and a LeBron James workout, among others.

The addition of “The Lion King” is noteworthy because, at 18, it is one of the oldest shows on Broadway but has embraced technology that’s truly cutting edge. It’s the first such video ever done in a Broadway theater. Another such video was done for the new musical “School of Rock,” but that was shot in classroom.

“Nothing will replace the actual theatrical experience. We’re well aware of that. But I think the way that consumers are trending at the moment is they want to know more. They want to go beyond the surface of something, and that includes the Broadway experience,” Flatt said. “That’s why the virtual reality platform is groundbreaking.”

More in Life

Abi Gutierrez fills a box of doughnuts during a ribbon-cutting event for The Glaze in Kenai, Alaska, on Wednesday, Sept. 4, 2024. (Jake Dye/Peninsula Clarion)
Living the doughnut dream

Owners aim to create a space for people to enjoy tasty pastries and spend time together

Virginia Walters (Courtesy photo)
Life in the Pedestrian Lane: Aging gracefully

I had a birthday this past week.

A lone hooligan fisherman heads upstream on the lower Kenai River to try his luck from Cunningham Memorial Park. (Clark Fair photo)
States of Mind: The death of Ethen Cunningham — Part 6

And thus, except for fading headlines, the Franke name all but disappeared from the annals of Kenai Peninsula history.

Jake Dye/Peninsula Clarion
The Kenai Marching Band debuts their new routine based on “The Hunger Games: The Ballad of Songbirds & Snakes” during an exhibition at Kenai Central High School on Aug. 16.
Kenai band goes big

The school’s marching band continues to grow

Jake Dye/Peninsula Clarion
The Kenai Performers’ cast of “The Bullying Collection” rehearse at the Kenai Performers Theater in Kalifornsky on Monday.
Difficult topics in the spotlight

Storytelling contends with bullying, suicide and violence in new Kenai Performers show

Doenjang JJigae is an earthy and refreshing stew that can be prepared in less than an hour. (Photo by Tressa Dale/Peninsula Clarion)
Stewing up the spirit of Chuseok

Salty Doenjang JJigae is earthy and refreshing

Rev. Meredith Harber enjoys a s’more on a fall day in Alaska. (Photo by Meredith Harber/courtesy)
Minister’s Message: Finding peace in the in-between

I find myself anxious when I know that winter is coming — even though there’s lots that I love about winter.

Photo provided by Sally Oberstein
Dancers at the Homer Mariner Theater perform in Nice Moves during the Alaska World Arts Festival in 2022.
The Alaska World Arts Festival returns to Homer

The festival will begin Sept. 13 and run through Sept. 26.

Pictured in an online public portrait is Anthony J. Dimond, the Anchorage judge who presided over the sentencing hearing of William Franke, who pleaded guilty to the second-degree murder of Ethen Cunningham in January 1948.
States of Mind: The death of Ethen Cunningham — Part 5

A hearing was held to determine the length of William Franke’s prison sentence

Most Read