This image released by 20th Century Fox shows Joel Edgerton, left, as pharaoh-to-be Ramses, and Christian Bale as Moses in a scene from "Exodus: Gods and Kings." The film, directed by Ridley Scott, is set for release on Dec. 12, 2014. (AP Photo/20th Century Fox, Kerry Brown)

This image released by 20th Century Fox shows Joel Edgerton, left, as pharaoh-to-be Ramses, and Christian Bale as Moses in a scene from "Exodus: Gods and Kings." The film, directed by Ridley Scott, is set for release on Dec. 12, 2014. (AP Photo/20th Century Fox, Kerry Brown)

Reeling it in: ‘Exodus’ a thrilling epic – but it has its issues

“Exodus: Gods and Kings”

Twentieth Century Fox

2 hours, 30 minutes

In the 1950s only white people were allowed to appear in movies, and only Charlton Heston was allowed to represent the Bible. As a result, all religious epics, despite taking place almost exclusively in the Middle East and Africa, were cast with entirely white, mostly British and American, actors. This helped perpetuate the idea that Jesus, his followers, and everyone else in the Ancient world were actually anglo-Europeans.

While there are a few people who still believe this, today we know that people from the Middle East are Middle Eastern, that people from Egypt are, in fact, African, and that people from other races can, much to the surprise of Hollywood, act.

Ridley Scott’s epic retelling of Moses and the liberation of the Hebrews in ancient Egypt is certainly not a bad film. In fact, despite its problems, it is very effective, is full of both moving and thrilling moments, and does a much better job than the previous Biblical epic, “Noah,” of recounting a beloved traditional tale. In many ways, it represents old-school, big-budget movie-making with a cast of thousands, amazing sets and locations, and grand-scale story telling.

But along with the massive scope comes the bombastic, melodramatic dialogue, over acting, and the unfortunately white-washed cast.

Eschewing the early scenes of Moses’ birth, his basket ride down the Nile, and his childhood, “Exodus” begins with Prince Moses and his best pal Ramses, son of the Pharaoh, preparing to make war on the Hittites. Following the battle, Ramses, rattled after a near-death experience, allows Moses to go in his stead to inspect the slave community and to find out if their overseer has been stealing money. When he arrives, Moses is confronted by an elder Hebrew leader who informs him that he is not Egyptian as he had been led to believe, but, in fact, Hebrew.

This, obviously leads to trouble, and eventually Moses finds himself exiled, living a new life as a shepherd many miles away. He’s content, until, that is, God decides to use him to try and get Ramses, now Pharaoh, to listen to reason and set the Hebrews free. Anyone who’s been to Sunday school or watched late-night on Turner Classic Movies knows how well that turns out.

Scott, in many ways, sticks to the straight and narrow with this story, deviating from the expected elements hardly at all. However, one aspect he opts to “make his own” is the appearance of God. In Cecil B. DeMille’s version, God was a burning bush and a disembodied booming voice. “Exodus” has the bush, but this time around God comes in the form of a 10-year-old boy and his discussions with Moses are decidedly two-sided.

It might seem jarring to people of other generations, but echoing today’s humanist rational attitude, God isn’t necessarily omnipotent and Moses is not humbled. This didn’t bother me, but I can bet my grandmother would have been incensed.

As far as the spectacle goes, Scott hits it out of the park. The plagues are massive and harrowing and the parting of the Red Sea is as impressive as it should be, though somewhat different than what we’ve seen before.

The plot feels a tad rushed, as though the screenwriters figured that we all knew was coming and that they needed to hurry up and get to the good stuff. The biggest problem, however, is the casting. I can’t say that any of the actors do a particularly bad job, but they just seem completely out of place.

The Scottish, British and Australian accents and obviously bronzed skin on the “Egyptians” just feels wrong, and pointless. Sigourney Weaver has maybe two lines and maybe a minute of screentime and still sticks out like a sore thumb. Christian Bale didn’t bother me as much as the others, and I understand the financial justification for hiring a big-name actor for a film of this scale, but were there no Middle Eastern or black actors to fill out the rest of these roles?

I know there are — there are plenty of them in this movie, though none of them are ever allowed to speak. It’s pretty egregious. Making a modern comparison, having Australian Joel Edgerton, who I like a lot, play Ramses is like having Brad Pitt play Malcolm X. Ridley Scott is a great filmmaker and despite crafting an exciting, entertaining tale, he has a responsibility to do better by his actors, his audience, and history.

Grade: B-

“Exodus: Goda and Kings” is rated PG-13 for some fairly gruesome violence including scary crocodile attacks.

Chris Jenness is a freelance graphic designer, artist and movie buff who lives in Nikiski.

More in Life

File
Minister’s Message: Keep your faith focused on Jesus

Don’t let fear make you slip from faith

Hip-Hop students practice their routines for Forever Christmas on Monday, Nov. 28, 2022, at Forever Dance in Soldotna, Alaska. (Jake Dye/Peninsula Clarion)
Forever Dance rings in the holidays with variety show

The show serves as a fun holiday tradition and an opportunity to get on stage early in the season

Image courtesy 20th Century 
Ralph Fiennes is Chef Julien Slowik and Anya Taylor-Joy is Margot in “The Menu”
On the Screen: ‘The Menu’ serves up fun twists and earnest commentary

I was plenty interested in the film I saw in the trailers, but the one I saw at the theater was so much more

Golden Soup mixes cauliflower, onions and apples and can be made in one pot. (Photo by Tressa Dale/Peninsula Clarion)
Golden soup offers a healthy reprieve after holiday indulgence

On the off days between the trips and celebrations I find it necessary to eat strategically

Photo courtesy of the National Archives 
This photo and information from a “prison book” at San Quentin state prison in California shows Arthur Vernon Watson when he entered the prison at age 23.
Justice wasn’t elementary, Watson, Part 2

Well before he shot and killed a man in Soldotna in 1961, Arthur Vernon Watson was considered trouble

Virginia Walters (Courtesy photo)
Life in the Pedestrian Lane: Thanksgiving

We at least have a good idea of what our political future looks like.

This is Arthur Vernon Watson at age 39, when he was transferred from the federal prison in Atlanta to the penitentiary on Alcatraz Island near San Francisco. (Photo courtesy of the National Archives)
Justice wasn’t elementary, Watson, Part 3

Anchorage probation officer Roy V. Norquist was monitoring Arthur’s movements and reported that he was pleased with what he saw

Cranberry sauce made from scratch with hand-picked berries makes a special holiday treat. (Photo by Tressa Dale/Peninsula Clarion)
Foraging with love and gratitude

Gathered and prepared by hand, cranberries brighten a Thanksgiving feast

File
Minister’s Message: When the going gets tough…

Suffering as a Christian is not always a popular preaching topic.

Most Read